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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing duel unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one important plot development, but it results in a hilariously staged chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game releases in British and Irish cinemas from November 17.

By

Roger Mccoy

Tech journalist and gadget reviewer with a decade of experience covering emerging technologies and consumer electronics.

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